Root Canal Pt.3: Difference between revisions

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== '''1. Background & Development''' ==
== '''1. Background & Development''' ==


Root Canal Pt.3 was going to be a song more than ayear before it's official release, following Bite's third root canal. It's initial title was "Root Canal Pt.3: The Fillings" before Bite realized he ''already got fillings''. Out of desperation, he scrapped the track and any lyrics he had for it.
Root Canal Pt.3 was worked on more than a year before it's official release under a completely different idea, following Bite's third root canal. It's initial title was "Root Canal Pt.3: The Fillings" before Bite realized he ''already got fillings''. Out of desperation, he scrapped the track and any lyrics he had for it.


Months after the release of "I CAN KEEP GOING" and "DissedIsMe" that signed the beef off twice, Bite already scrapped any plans for a new disstrack and released 12 minutes worth of unused verses on an extended "Honestly Sogmeister", part of the "Unfortunately 'Live' in Nahariyya" album. But on a sunny February day, Sogmeister started teasing his upcoming disstrack "I CAN TOO", claiming this time he's serious. At first, Bite decided to release the parody "Not Like Sogs" to prove he can still retain the status of winner even by releasing a joke song, but as more lines came in like "Stem 5 how you put your stem in 5 little boys", Bite realized he has to step up his game. He decided it was impossible to recreate the impact of "Honestly Sogmeister" or "I CAN KEEP GOING", so the only choice was to wing a song random and experimental enough to hopefully portray his discontent with making disses at this point, all the while trying to enjoy the creation process as much as possible.
During May, after the release of "I CAN KEEP GOING", Bite had already prepared the groundwork for the next diss, "HEADLOCK", which he immediately canned following "I CAN KEEP GOING" already achieving above and beyond what he wanted. The latter track's uncropped album cover even had another window with the text "HEADLOCK" in it. Sogmeister eventually retaliated, saying he's making another disstrack, so Bite finished his third diss just incase. Sogs never released his (until "DissedIsMe" much later), and it was once again cancelled.
 
Months after the release of "DissedIsMe" that signed the beef off for the second time, Bite already scrapped any plans for a new disstrack and released 12 minutes worth of unused verses on an extended "Honestly Sogmeister", part of the "Unfortunately 'Live' in Nahariyya" album. But on a sunny February day, Sogmeister started teasing his upcoming disstrack "I CAN TOO", claiming this time he's serious. At first, Bite decided to release the parody "Not Like Sogs" to prove he can still retain the status of winner even by releasing a joke song, but as more lines came in like "Stem 5 how you put your stem in 5 little boys", Bite realized he has to step up his game. He decided it was impossible to recreate the impact of "Honestly Sogmeister" or "I CAN KEEP GOING", so the only choice was to wing a song random and experimental enough to hopefully portray his discontent with making disses at this point, all the while trying to enjoy the creation process as much as possible.


Writing any impactful lyrics really came down to wordplay, because every known detail about Sogmeister's life has already been recited in "I CAN KEEP GOING". The creation process followed Bite's mindset making "polaroid", this time involving acoustic drums, electric guitar and even influence from JPEGMAFIA, Danny Brown and Swans. Welcome to RYM! The beats were taken from YouTube and additional production was added on top of them or in-between.
Writing any impactful lyrics really came down to wordplay, because every known detail about Sogmeister's life has already been recited in "I CAN KEEP GOING". The creation process followed Bite's mindset making "polaroid", this time involving acoustic drums, electric guitar and even influence from JPEGMAFIA, Danny Brown and Swans. Welcome to RYM! The beats were taken from YouTube and additional production was added on top of them or in-between.