Tinion's Finale: Difference between revisions

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== '''2. Background & Development''' ==

The conceptualization of Tinion's Finale began as a joke, something more akin to [[Emotions of Tinion]] in its length and unserious content. Around November of 2022, [[BiteIsMe]] wrote “THE YM DISORDER,” originally titled “YM TYPE DISSTRACK” or “HG TYPE DISSTRACK,” on a [https://www.youtube.com/watch?v=teFVrXXcIMY stolen YouTube type beat], following claims of MrYM being involved in talking to minors on Hello Kitty Roblox roleplay games. The track would slowly evolve to call out multiple people Bite detested at the time while still making MrYM the song's focal point. After finishing the first draft of the lyrics, Bite looked further into MrYM in an attempt to revise some lines and write better disses. This became a habit of searching through their old private messages to reminisce, and what was once joke hatred slowly turned into an unhealthy obsession with the guy.

[[File:B 1.webp|thumb|The HyperX Solocast, the only microphone Bite has ever bought in his life.|~~237x237px~~]]

[[File:B 1.webp|thumb|The HyperX Solocast, the only microphone Bite has ever bought in his life.|299x299px]]

When Bite attempted to record the song in FL Studio, he came to the realization of just how horrible his microphone quality was, which led him to purchase a HyperX Solocast, which is still being used to this day. Bite wouldn't record vocals in FL Studio since this first version of the song up until late 2024. Part of the unhealthy obsession developed with MrYM resulted in many audio files of him resurfacing, which Bite sampled for a skit at the end of the song.

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Bite also wanted to explore some more somber themes and soundscapes, which resulted in the creation of “TIME TO MOVE ON,” a song dedicated to MrYM and, at the same time, Franku, with whom he lost contact for a period. For the longest time, the song remained an instrumental, with the lyrics never recorded. Bite couldn't find pride in his singing abilities and, after multiple failed attempts, just turned the lyrics into spoken word, reciting it on top of the instrumental. Only around February would Bite manage to record the published version’s vocal tracks.

[[File:Ais xray.jpg|thumb|281x281px|Demonstration of 45'''°''' degrees scoliosis Bite suffers from.]]

Just around December, [[BiteIsMe]] first got diagnosed with severe scoliosis. This demanded spine checkups every half a year in a central hospital. From November to December, Bite found himself playing into more problematic parts of his personality, purposefully giving into drama. One day in late December, Bite had to wake up around 6 AM for one of those medical checkups, following a day full of arguing and a long announcement in which he tried to explain himself. After nearly missing the train at 7:20, he was looking to clear his mind a bit and opened Discord on his phone. To his surprise, his announcement backfired and was deemed as an attempt at manipulation, leading to his banning from multiple servers, with many people he knew blocking him. This scenario inspired the next song, “I’M DOING SOMETHING WRONG.” A piano outro was added to “[https://youtu.be/L0H1RIh85Gs?si=Vy6IoQNkf8wZeGci ADAM TYPE DISSTRACK]” to transition into the new track, which was then renamed into “BITE IS ME.”

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At the time, the outro for “BITE IS ME” (“If I wanna solve this shit, I better backtrack”) was not yet recorded. The beat had a switch into a slow outro, which later separated into the scrapped track “[https://youtu.be/vsvKYHoKGQc?si=lVWpSMy_2ZjfXCzF FINE.]” Bite’s part of the album was supposed to end on that note, half admitting to things he's done not being very moral or acceptable and just moving on with his life. That's until he remembered the existence of the Valley server and recognized its potential for yet another anger-driven song.

[[File:Fuck this shit.png|thumb|The difference between an Amazon Alexa and Fleshlight raise heavy implications - both powered by electricity but tackling different areas of comfort.]]

The Valley discord server was created as a solution to Bite feeling ~~‘unable~~ to express himself freely enough in public ~~servers’~~ following the presentation of a sex toy, dubbed an Amazon Alexa, in a public voice chat. The Valley, which began as just another friend group server, transformed into a cesspool of excessively sexual or downright disgusting media just for shock value. It was contained in a secret inaccessible “Chat B” for special members but later spread. At some point during an argument, an invite to The Valley made its way to all sorts of servers and people Bite knew. With all the repulsive media in there and their first impression being Bite banning them immediately, it was only more to the pile against him. The server continued to remain toxic and unapproachable until it was abandoned.

The Valley discord server was created as a solution to Bite feeling "unable to express himself freely enough in public servers" following the presentation of a sex toy, dubbed an Amazon Alexa, in a public voice chat. The Valley, which began as just another friend group server, transformed into a cesspool of excessively sexual or downright disgusting media just for shock value. It was contained in a secret inaccessible “Chat B” for special members but later spread. At some point during an argument, an invite to The Valley made its way to all sorts of servers and people Bite knew. With all the repulsive media in there and their first impression being Bite banning them immediately, it was only more to the pile against him. The server continued to remain toxic and unapproachable until it was abandoned.

Between the Valley song's creation, which took about a month, a few other songs were created, mostly Tinion-related instrumentals like “Tinion's Preshow,” originally titled “Introductions,” the second part, which was a reinterpretation of “TWMIIWCIS,” or the “Kush Town,” “Untitled Instrumental 4” produced by Ænima. With that came some more unfavorable scrapped songs, for example, “[https://youtube.com/shorts/6yCFskenzXA?si=JTuJFIBWLiq3ZOW4 COME BACK],” which was a desperate plea towards MrYM to return to Bite's life. By the way, Bite was actively stalking MrYM’s new socials at the time to try and win him back and possibly have him do a (real) feature for Tinion's Finale. Unfortunately, this wasn't the peak for the YM obsession quite yet - as the following scrapped track would end up being the reason for half of the album's creation time, plus about half of its initial runtime, too.

"[[LETTING GO 101]]", contrary to its name, was the (very large) epitome of Bite's unhealthy attachment to MrYM. An unfinished, two-draft, multi-act song that amounts to about half an hour. The song began with a short chorus about Bite missing YM and wanting him to come back, developed into the story of how they met and what they went through that kept extending longer, and branched out to whole full segments dedicated to the five stages of grief, anyone else Bite talked about up until this point and even the groundwork for the single “[[SEAN WILIKOR]].” Instead of constant revisions, Bite would constantly add to the narrative with the hopes of it eventually feeling like the full picture. The moment the song was finished, it was proofread and scrapped on the spot.

"[https://www.youtube.com/watch?v=H23TWjt6y_k LETTING GO 101]", contrary to its name, was the (very large) epitome of Bite's unhealthy attachment to MrYM. An unfinished, two-draft, multi-act song that amounts to about half an hour. The song began with a short chorus about Bite missing YM and wanting him to come back, developed into the story of how they met and what they went through that kept extending longer, and branched out to whole full segments dedicated to the five stages of grief, anyone else Bite talked about up until this point and even the groundwork for the single “[[SEAN WILIKOR]].” Instead of constant revisions, Bite would constantly add to the narrative with the hopes of it eventually feeling like the full picture. The moment the song was finished, it was proofread and scrapped on the spot.

It's important (not really) to mention the creation of “Legend of Tinion,” which required the assistance of a female singer. In this case, Celeste, a.k.a. Moonlight_Chai, was recruited through the website Casting Call Club to help. The instrumental for this track was fully produced inside Musescore, the same program Bite would use during his first years of piano playing to study and compose classical music. This marks the first time Bite made a song deemed complete in Musescore since late 2018.

@@ Line 71: / Line 71: @@
 == '''2. Background & Development''' ==
 The conceptualization of Tinion's Finale began as a joke, something more akin to [[Emotions of Tinion]] in its length and unserious content. Around November of 2022, [[BiteIsMe]] wrote “THE YM DISORDER,” originally titled “YM TYPE DISSTRACK” or “HG TYPE DISSTRACK,” on a [https://www.youtube.com/watch?v=teFVrXXcIMY stolen YouTube type beat], following claims of MrYM being involved in talking to minors on Hello Kitty Roblox roleplay games. The track would slowly evolve to call out multiple people Bite detested at the time while still making MrYM the song's focal point. After finishing the first draft of the lyrics, Bite looked further into MrYM in an attempt to revise some lines and write better disses. This became a habit of searching through their old private messages to reminisce, and what was once joke hatred slowly turned into an unhealthy obsession with the guy.
-[[File:B 1.webp|thumb|The HyperX Solocast, the only microphone Bite has ever bought in his life.|237x237px]]
+[[File:B 1.webp|thumb|The HyperX Solocast, the only microphone Bite has ever bought in his life.|299x299px]]
 When Bite attempted to record the song in FL Studio, he came to the realization of just how horrible his microphone quality was, which led him to purchase a HyperX Solocast, which is still being used to this day. Bite wouldn't record vocals in FL Studio since this first version of the song up until late 2024. Part of the unhealthy obsession developed with MrYM resulted in many audio files of him resurfacing, which Bite sampled for a skit at the end of the song.
@@ Line 85: / Line 85: @@
 Bite also wanted to explore some more somber themes and soundscapes, which resulted in the creation of “TIME TO MOVE ON,” a song dedicated to MrYM and, at the same time, Franku, with whom he lost contact for a period. For the longest time, the song remained an instrumental, with the lyrics never recorded. Bite couldn't find pride in his singing abilities and, after multiple failed attempts, just turned the lyrics into spoken word, reciting it on top of the instrumental. Only around February would Bite manage to record the published version’s vocal tracks.
+[[File:Ais xray.jpg|thumb|281x281px|Demonstration of 45'''°''' degrees scoliosis Bite suffers from.]]
 Just around December, [[BiteIsMe]] first got diagnosed with severe scoliosis. This demanded spine checkups every half a year in a central hospital. From November to December, Bite found himself playing into more problematic parts of his personality, purposefully giving into drama. One day in late December, Bite had to wake up around 6 AM for one of those medical checkups, following a day full of arguing and a long announcement in which he tried to explain himself. After nearly missing the train at 7:20, he was looking to clear his mind a bit and opened Discord on his phone. To his surprise, his announcement backfired and was deemed as an attempt at manipulation, leading to his banning from multiple servers, with many people he knew blocking him. This scenario inspired the next song, “I’M DOING SOMETHING WRONG.” A piano outro was added to “[https://youtu.be/L0H1RIh85Gs?si=Vy6IoQNkf8wZeGci ADAM TYPE DISSTRACK]” to transition into the new track, which was then renamed into “BITE IS ME.”
@@ Line 91: / Line 91: @@
 At the time, the outro for “BITE IS ME” (“If I wanna solve this shit, I better backtrack”) was not yet recorded. The beat had a switch into a slow outro, which later separated into the scrapped track “[https://youtu.be/vsvKYHoKGQc?si=lVWpSMy_2ZjfXCzF FINE.]” Bite’s part of the album was supposed to end on that note, half admitting to things he's done not being very moral or acceptable and just moving on with his life. That's until he remembered the existence of the Valley server and recognized its potential for yet another anger-driven song.
+[[File:Fuck this shit.png|thumb|The difference between an Amazon Alexa and Fleshlight raise heavy implications - both powered by electricity but tackling different areas of comfort.]]
-The Valley discord server was created as a solution to Bite feeling ‘unable to express himself freely enough in public servers’ following the presentation of a sex toy, dubbed an Amazon Alexa, in a public voice chat. The Valley, which began as just another friend group server, transformed into a cesspool of excessively sexual or downright disgusting media just for shock value. It was contained in a secret inaccessible “Chat B” for special members but later spread. At some point during an argument, an invite to The Valley made its way to all sorts of servers and people Bite knew. With all the repulsive media in there and their first impression being Bite banning them immediately, it was only more to the pile against him. The server continued to remain toxic and unapproachable until it was abandoned.
+The Valley discord server was created as a solution to Bite feeling "unable to express himself freely enough in public servers" following the presentation of a sex toy, dubbed an Amazon Alexa, in a public voice chat. The Valley, which began as just another friend group server, transformed into a cesspool of excessively sexual or downright disgusting media just for shock value. It was contained in a secret inaccessible “Chat B” for special members but later spread. At some point during an argument, an invite to The Valley made its way to all sorts of servers and people Bite knew. With all the repulsive media in there and their first impression being Bite banning them immediately, it was only more to the pile against him. The server continued to remain toxic and unapproachable until it was abandoned.
 Between the Valley song's creation, which took about a month, a few other songs were created, mostly Tinion-related instrumentals like “Tinion's Preshow,” originally titled “Introductions,” the second part, which was a reinterpretation of “TWMIIWCIS,” or the “Kush Town,” “Untitled Instrumental 4” produced by Ænima. With that came some more unfavorable scrapped songs, for example, “[https://youtube.com/shorts/6yCFskenzXA?si=JTuJFIBWLiq3ZOW4 COME BACK],” which was a desperate plea towards MrYM to return to Bite's life. By the way, Bite was actively stalking MrYM’s new socials at the time to try and win him back and possibly have him do a (real) feature for Tinion's Finale. Unfortunately, this wasn't the peak for the YM obsession quite yet - as the following scrapped track would end up being the reason for half of the album's creation time, plus about half of its initial runtime, too.
-"[[LETTING GO 101]]", contrary to its name, was the (very large) epitome of Bite's unhealthy attachment to MrYM. An unfinished, two-draft, multi-act song that amounts to about half an hour. The song began with a short chorus about Bite missing YM and wanting him to come back, developed into the story of how they met and what they went through that kept extending longer, and branched out to whole full segments dedicated to the five stages of grief, anyone else Bite talked about up until this point and even the groundwork for the single “[[SEAN WILIKOR]].” Instead of constant revisions, Bite would constantly add to the narrative with the hopes of it eventually feeling like the full picture. The moment the song was finished, it was proofread and scrapped on the spot.
+"[https://www.youtube.com/watch?v=H23TWjt6y_k LETTING GO 101]", contrary to its name, was the (very large) epitome of Bite's unhealthy attachment to MrYM. An unfinished, two-draft, multi-act song that amounts to about half an hour. The song began with a short chorus about Bite missing YM and wanting him to come back, developed into the story of how they met and what they went through that kept extending longer, and branched out to whole full segments dedicated to the five stages of grief, anyone else Bite talked about up until this point and even the groundwork for the single “[[SEAN WILIKOR]].” Instead of constant revisions, Bite would constantly add to the narrative with the hopes of it eventually feeling like the full picture. The moment the song was finished, it was proofread and scrapped on the spot.
 It's important (not really) to mention the creation of “Legend of Tinion,” which required the assistance of a female singer. In this case, Celeste, a.k.a. Moonlight_Chai, was recruited through the website Casting Call Club to help. The instrumental for this track was fully produced inside Musescore, the same program Bite would use during his first years of piano playing to study and compose classical music. This marks the first time Bite made a song deemed complete in Musescore since late 2018.