Tinion Steamdust's Encore: Difference between revisions

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Similarly to Encore, Boiling an Egg was composed in Musescore, with the intention to be included in the old Bite's Extension. The song was supposed to play in FNaF 1's Fish Museum, which was never completed in favor of remaking the game entirely. Boiling an Egg possesses an obscure meaning - a boiled egg may be hard on the outside, but beyond that thin shell it's soft and crumbly on the inside, just like the character of [[Tinion Steamdust]] trying to present itself as something bigger and better than it really is. In the music video, the Tinion-obsessed man (judging by the amount of [[Tinion Steamdust]] Vinyls he brought to his new apartment as first priority) forgets to submerge his egg in water before attempting to flim the boiling process, simply leaving it standing in an empty pot. It may or may not represent that Tinion wasn't even worth conceptualizing anyways.
Similarly to Encore, Boiling an Egg was composed in Musescore, with the intention to be included in the old Bite's Extension. The song was supposed to play in FNaF 1's Fish Museum, which was never completed in favor of remaking the game entirely. Boiling an Egg possesses an obscure meaning - a boiled egg may be hard on the outside, but beyond that thin shell it's soft and crumbly on the inside, just like the character of [[Tinion Steamdust]] trying to present itself as something bigger and better than it really is. In the music video, the Tinion-obsessed man (judging by the amount of [[Tinion Steamdust]] Vinyls he brought to his new apartment as first priority) forgets to submerge his egg in water before attempting to flim the boiling process, simply leaving it standing in an empty pot. It may or may not represent that Tinion wasn't even worth conceptualizing anyways.


The title Steamdust Replaced refers to the event in which [[Tinion Steamdust]] was replaced by a shape-shifting Rinion, following his kidnapping from the backstage after the Tinion Steamdust Concert from [[Tinion's Finale]]. The track is a compilation of three audio tracks - the first two sounds, the stretched scream and glitch noises were generated through Melobytes in late 2020 by Bite and his friend. It belonged to a Roblox FNaF Fangame and tied in to it's lore, but in this context it's interpreted as the Tinion's shape-shifting process.
The title Steamdust Replaced refers to the event in which [[Tinion Steamdust]] was replaced by a shape-shifting Rinion, following his kidnapping from the backstage after the Tinion Steamdust Concert from [[Tinion's Finale]]. The track is a compilation of three audio tracks - the first two sounds, the stretched scream and glitch noises were generated through Melobytes in late 2020 by Bite and his friend. It belonged to a Roblox FNaF Fangame and tied in to it's lore, but in this context it's interpreted as the Tinion's shape-shifting process. The third audio sounds like a reversed Sparta Remix layered on top of everything and remains unidentified.
 
Serenade to Tinion is a piano improvisation recorded from Bite's Casio CT-X700, just like WSWDWTDS (Live). It went on to become the [[Tinion's Finale]] title track and represent the final moments of Linion Island before it was destroyed.
 
Goodbye Dear Island is a short ambient string piece following Linion Island being "destroyed" in the previous track. It was first composed in Musescore and used in a Halloween update trailer for the TPRR Mod Frank Takeover. There exists an extended version for the song, but it was cut in the middle due to the chord progression just repeating in rising semitones.
 
The base lyrics for Linion State of Mind, like Ms. Jinion and Like a Goose, were generated through this song lyrics generator website, this time from the rap song generator. Unlike the previous two though, Bite modified the lyrics and rewrote some parts to make some verses better and the chorus change throughout, recontextualizing it as Cam's come up through the fake [[Tinion Steamdust|Tinion]] character. Cam never rapped the lyrics, instead he recorded some varied takes of him simply reading them out. Bite then sliced his syllables in Audacity and aligned them as on beat as he could. At the end of the song being created, Bite realized just how cheap the beat sounded, especially with the watermarks, and added his intro words in the beginning, playing on the fact Traphouse Productions is quite a corner cutting company.


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